oh I bet blown off myself yes not blown
off myself jack is now only now won't
you Victor I'm taking it I'll get out of
there yeah they even staged the scene
for you there that's right they need
good we have some more calentar ya later
color wait I just around sure
episode you bet now the CCB has been
approved to remove the 250 so all you'll
have is an item and that's all we
brought today was a manicure it's nice
today
last time I was up here there weren't as
many buildings out of I know it just
keep growing on you when we started this
I was documenting all that weeds come up
here and shoot it for resolution we
could keep those grates over there and
blowing it was out you could really tell
if I mother Grace I get trained we've
got sufficiently I help yourself if you
need help I'm gonna let you do it yeah
yup stop what film you got in here game
yeah this is the 5017 that's a sa 64
yeah the one the one place I was
thinking it might be worse Wyman sure
you would need to change the focus
office
but the telescope up an appendage deploy
think 90 is pretty good shot yeah we
separated fantastic we're not far so how
long is it to where up about I'm just
coming up on ninety above and we're
looking at the telescope down against
yours because daddy at a good place for
25 to 30 minutes up to all that agree
the other sequence once we're about a
hundred feet or so back to start you
know but I'll bet u infinity is still
fine for that we'll look at the depth of
field and if you guys ever shine it's
gonna be a beautiful up oh yeah I'll bet
you they will i'll pull out the books
but I think in philly's doesn't be
alright for that little now we're going
I'll talk to Jeff and get him to you
know give you a setting Dominator just
get right towards the Terminator about
that
where we actually did it
now you're going to have you push but
you don't have a thin base in your
future give you 270 or somewhere there
about so you should have plenty of film
now I've got the jail filter holders
ordered for the nikon 180 f28 seems to
be a real good linda's relatively fast
and we still get some magnification on
it it's a 180 millimeter f 2.8 we can
just add it big deal okay
example
it's about sighs tripod you gotta have
with that thing again
well BJ here it is technical rationale
which was access to the deep draft barge
oh I think that's the only time we
looking yeah I think that's the only
time we've used it to ya it's the only
two-time yeah I remember the day they
floated daddy and I think I came down to
see it when brother did trying to make
sure the park was in here a little bit
of it i can see ya how many we supposed
to take a couple after 34 okay i think
there's enough for about six or eight
everybody well i'm gonna take my sick
there go ahead
just tell me what it is
okay we'll try that huh
we're about Pecos all the way to New
Orleans I think into that I don't know
yeah it's a beautiful shot fantastic and
the funny part was that you can even
tell distinctively where the bow conus
escarpment is he you can fly over and
can't even see it but for some reason I
think it's best face morning do you tell
right where that sucker
that's good eating you know I got take a
little circle and make sure it's clear
of the roof just line it up on a dark
part of the south shore harbor yeah
three-point right in the corner window
there I couldn't either some sunlight
subscribe I did it up into this if I
take it up to the clouds I could I get
five point six oh I wasn't doing that I
was just lining right up on them on the
side of the building there we're looking
at the same building the show ya how
sure are we rich owe me big drill manure
honk hotel got it right in a green
windows in the corner circle around him
yeah yeah I always do go on Laura so I
tried to get baby get baby gets a
McLaren in the marina yeah sure hope we
get some magic intrusive yeah oh you
will I guarantee you you stinking out
the window you'll get nice pictures with
it tips what is that we got what you
have to and they'll have about 270
exposure to eat so you got plenty of
film take picture don't know you know
don't worry about way you should take it
or not just take them cuz you see that
plenty of film I hear he says about a
filter for this no now we're talking
about a difference so check it out with
an icon again a couple of jail cell I
didn't remember one for mine oh there's
been a Haitian
okay spacecraft windows is good enough a
filter really all right well I'll have
these processed and I'll get him to Judy
and she'll bring them and show them to
you okay thank you thank you for coming
over you need it need another session or
anything okay not everyone up again come
on the top of one law happy nice i don't
know let Nassif a my way they're not
though yeah primarily because he was no
78 magnitude stars or what typically you
have a current positions for because
they're easy there's enough already it's
straightforward to do okay oh 16 million
class
in everything
domestic pictures in the last thing we
do is fill motive
so the very last thing is still looking
if you want to load is fine although
they're not a way to go home first
you're going to start in the ER
checklist here now we have what specific
the Alphans over here and on 16 and
we've tried it
16 million camera is uh not exactly your
in static
were you here in the days of the debt
cameras this is an Instamatic anyway
that's all there is in this book there's
the same thing malfunction and pictures
for all the systems that began anything
that flies pretty often is in our
inventories spot meter stuff of that
sort in the same sort of section into
flight to that's desta also there isn't
a workbook on this that I did bring a
35-7 reading on route 7 I got three of
them the full vm
okay I've taken off all the attachments
to the scanner so need to start from
scratch here set at 45 degrees cloudy
Popeye and it turns so one minute you're
doing
living here you can see the mirror
turning around and actually get you can
see most of the time you should be
that's
so that's how its
Jessica I opportunity to watch the
screen get sharp yeah I did that the
other thing is into the mirror terms
well when you turn the camera off it
always continues as much as it needs to
to mirror the views issue if you pick up
cameras Vanessa way that we're better
than dead tree you can't see through the
humerus just not adjusted to get it back
the right position you can physically
turn it or put a fresh batch
most
the camera in the bag everything's about
30 pounds at nine actually it starts 107
below it goes back up technique can't
move but maybe it good dude you didn't
have that they don't think oh no it was
gone so I got to actually do both of
them on one place it was like it was a
saint ended he's the neck day six
another lip date
attachments which which you have the
automatic mode so it's not a couple of
so then and the burger led is fun that's
not an exposure led you mean little red
light okay there's a red line in there
finder in it's a motor speed light when
you put our camera actually come on can
go off and when you turn the camera off
it should actually yeah that means that
the motors are not up to 24 frames a
second yeah you kids up there real quick
if you have a bad battery that like to
stay on constantly in touch you have a
bad battery and therefore your motor
speed is dropping but if you get it and
lock it down till I that goes out if
that light doesn't go out or something
off speed and it could be because you
have the film draft a quick run lunch do
you have a bad battery run but not so
fast hey ok so now let's see the camera
together we adjusted that I after good
battery on
magazine and paper between ahead
enrollment the next thing we're going to
talk about salensus in the system is my
images in
lenses are quite different some people
might want to do a lot together you've
ever told you yesterday about lighting
this lens is a 59 it's extremely wide
angle only control on this amateur
frozen ponds focus is real easy this
point shoot but there's no Auto Meter
needle doses because I just down drug
repose why did you get out of them if
it's up its outer space backwards
our time but anyway if you use a 59
focuses really but exposure is not
really so you have to constantly adjust
here now if you're in the midday once
you adjust it is pretty much convince a
matter what you shoot but on the five
areas and stuff like that it gets
say here's my metering get you a ride
he'll focus
so I'd like to pass it around to operate
me and while you're doing that I'm going
to talk about side of the zune means
extremely popular first off I'm taking
in what context azarchel strange thing
that we do is we fly tungsten town
so if we should daylight here to color
correct
make sense also with this little
Williams our smallest aperture is f-16
ok we have 148 so we're overexposed so
not only is this color correction but
it's sunglasses it cuts down as a
neutral obviously if you were to come
into the cabin you would want to take
this off because almost all of cabin
photography is quiet which is not much
life unless you have lots of sunshine
it's you need all life get so you always
take the software inside he's saying
well put it on and go outside or off to
sunglasses with macro ok so you focus
and then you have your generation here
if you want to go into metro macro right
here with bankrupt if you want to get
back out of macro push the macro but can
you back out of the normal area is the
normal zoom range and focus
talk about that when you Cameron the
aperture ring is a little bit strange in
that it moves from f-16 f2 but if you
push this button I going on it's on auto
exposure so I have to adjust exposure to
all camera takes care that all i do is
we'll attach this to talk about that
from such as a plus if it just each
other plus it means it means it needs
more like open up means you are
overexposed it's the situation that you
are doesn't tell you what to do excess
of like you know the agrees email I
coming in overexposed is down and under
exposures over so with that lens if you
adjust actor you can get the Neo right
and center if you point care of the
light the needles are dropped to the
overexposed area and then you readjust
the land player cam inside the finder
your secret areas TV safe areas now when
they take this film stuff they transfer
this video so you want to keep your
image within these little clients here
that's repeating center
wrong with 59 years of age across
manhattan couldnt on some clothes there
so once you put it on you just do a
claim
haha there's the captioning for that one
I know there's a star up there I know oh
we thought we'd do is is not really
concentrate on the specifics of the
camera or here have been into a negative
training situations so if you just bear
with us what you've got the real
objective both in this session and a bit
one in building nine is for you to take
some pictures that we can go into the
theater looking so won't talk too much
an incredible power
my friend over james and david how fun
would charge on her head the first first
thing i do is have a look at the tripod
since that's gonna be your zero-g
simulator of the day and we've got to
control Pam until you going to Chilton
we have a lock here and just lock it
where you put it
and we have a panel van locked front
same sort of flavor right the front so
anytime you want to move the camera just
unlock those and put it wherever you
want to lock them back and stay right
there and so will go through all all
four of those today we talked some about
exposure how to use the light meter out
here and be able to relate that to what
the film is going to record sort of
range of values you'll be able to afford
it and of course if we shoot Simon will
will compare lenses when you see things
in the science if that's value will be
looking right in the Sun HSTs get you
familiar with what the different lenses
will do in that situation and we got a
pretty good contrast arrangement of
Saturn 5 so that's some of the things
we'll be doing out here today that we're
gone in the cct later the engineer's
interior
mr. de la pipe in once in a while keep
the action main actually in the omnimax
i'm shooting with us sorry try to keep
it in old really down in the low part of
the front otherwise time feeling when
you can have your look around and
strength or neck to see what's going on
it's right if you carry yes you can back
to have a chance to do that if you got
that choice you can do it yeah generally
speaking if you keep things in the more
in the center part and not too high
that's a kind of a good grow a good rule
of thumb for almost anything but lots of
shots we've got no truck you can fill it
Fred well I normal pattern has been for
everybody to take at least one and it's
possible what two shots certify you're
here why we try for a Reuben things you
think about a shot you'd like to take
here here wherever we can move the
camera to wherever you want and take and
think of a couple of different lenses
one shot with one lens mother shot with
another and we'll try to move it around
to give everybody two turns to to shoot
something so you choose the ears look
around and find something you like to
shoot so what you want to do is probably
zoom this in if it's not zoomed in
buddy will find that little switch
that's for sure and shutter switch I
don't need you yeah
okay that's not moving a little element
group in here on the flight camera
you're actually pushing on us fever
which is attached to the element group
but you couldn't get that find her with
us he asked the guy that wears glasses
I've done back it looks focused to be so
what you want to do you want lines are
supposed to be growing rotate this see I
haven't checked I haven't bothered his
adjustment because it gets the black
lines are crisp yeah use oom din what
they find I'm zoomed in yeah and I can
see little free and when I say there's
pretty good for EPG hairy-legged to do
so okay so then i would not bother him i
wouldn't even think so now you're in a
position to decide whether or not the
lenses and focus okay
well we'll go into that a bit later too
we have in fact you can do is you if
your focus about shoot it and then we
can all vote on it and the Bears going
to change it yeah
the Grampian interview phillips was in
the background and she's the governor of
the state of texas or something so we
can care less about this rock this lens
what you get it past that how you feel
everything is pretty pretty far
surpassed up that's the other thing I
say to you wanna clear that your lens up
and set your frame and do your focusing
with the legs wide open yeah but not see
we didn't we didn't change the EBSCO no
we didn't know was wide open I said just
I just wanted to make the point that
when you're gonna when you're gonna do
this process that you check at the lens
on the camera is wide open cuz it's
everything's just way harder look less
like going through I want to close this
thing down and just have to just have a
look at the difference it's looking
through there's wide open now if you
tried to focus like that so you see how
kind of trouble you'd be in town and
that's 22 here's a that's halfway open
so even if there's it's real difficult
to do so first grab it to focus just
make sure it's wide open we're not gonna
get shut well where r gets above do not
today so what you think none orbit an
orbit alright then you'll be so fast it
won't matter
your folk your critical focus is one
forward right-hander Bruce I leave a
little whispers yeah 26 you can you can
use that to zoom in a little circle
exposed for the exterior and this just
boost what you can in fact this shot is
very difficult involving because the
together really in the print they fudged
it a bit because it go work with but in
the film it's always been hard to print
it so you got some reasonable blooms
from the earth and reasonable detail in
the car just a little bit too I don't
even know if this is also another boat
the older with range of canal you want
to see it every wide open stop I can
hahaha fedora suits you yeah no they get
to things you don't start address oh yes
all right on the camera
what happens I think this is a big is a
big roll film your waist 10 pounds
sometimes the next are you shoot settle
you take this shot it would happen
probably there'll be a little extra for
camera stops that way it will carry
around a little bit further so you just
turn to take the slack out doesn't start
up and then forget it I hit that stuff
beats like this I'll put some in there
so you can just feel but come around the
corner in a little bit just a minute
back again oh are you wanna be Wanna Be
ah yeah Hilton your you guys work and
you're all marked ready to go James yeah
hanging ok
since Bruce and Kathy are a VA right now
and I want to get the telescope yeah I'm
gonna think I'll quit focus on Bruce
it's all the way in and I've get
keep them low in the frame okay how far
up the frame is my head Regin your head
is right in the middle I'm new so kid
Bruce's Bruce's head is right below the
bottom of the team